A Long Time Coming

I've had this quilt finished for a month and a half, though I've neither sent it to the recipient nor blogged about it (I'm even sitting on it as I write). I have, however, brought it to one BMQG meeting...and that counts for something, right? The colors are difficult to capture, but they are most accurate in the photo below.

I made this little quilt for a dear friend, who was the first in our group of friends to get married and is now the first to have a baby. She is deeply religious and traditional, and I tried to make something that reflected her life and family.

The quilt is based on the Amish quilting tradition in several ways. The first and most obvious is the geometry and color patterning. As in many Amish quilts, nothing is random. What looks like a tossed-down array of triangles is actually very deliberately and evenly laid out, which you can see if you study the first and last photos in this post.

The second is the quilting. When I initially set out to quilt this (my first quilt on my new machine, btw), I tried to draw in lines with chalk so my triple-quilted triangles would look somewhat even. I had to use chalk because teal is the one color that the water-soluble pens I use to quilt will not wash out of.

The first few lines got erased when this quilt traveled with me to the NEMQG retreat, and I decided not to reapply them. The Amish have a concept that nothing is perfect except God, and this concept extends into their quilt-making. Their quilts may look perfect in books, but there is always at least one thing (albeit small) deliberately "wrong" with the quilt. I chose to keep my quilting lines organic to reflect this.

One major departure from the Amish quilting tradition was the addition of written words to this quilt. My friend is a big romantic...even her wedding invitation had an entire page of quotations about love (and yes, they were very cheesy, as befits a wedding invitation!). I quilted a few lines from an e.e. cummings poem into her quilt in a triangular pattern to echo the geometry in the quilt. The "love" you see above is the first word of the poem, and it is in a chartreuse triangle in the top-middle of the quilt. I placed all of the words in the chartreuse triangles, and I free-motion quilted all of them on there. I didn't use transfer paper or anything like that.

I backed the quilt in one color, FSDS Chamois. I used KF Shot Cotton in Sprout and Sky, Moda Crossweaves in Flamingo, Bella Solids in Teal, and Kona in Violet (I think? I don't have my color card with me right now) and another shade of Kona blue-green. I think I'm careless when it comes to recording my color choices when I use Kona because I know I have the color card, but it's never near me when I need it...

All in all, I love this quilt because I love what it illustrates about quilting: the ability to make a completely personalized gift for someone you love. What could be better than that?

Mountains Beyond Mountains (with apologies for harsh lighting conditions)

Sewing has been on the backburner over here lately, owing to my incredibly hectic work schedule, but I sewed the final seam on this quilt top yesterday during my lunch break, and I am JUST. SO. HAPPY with it.

When I finally stepped away from the completed top and stared at it spread across the living room sofa, I felt like I had just scaled a mountain. Which doesn't really seem to require much, if you've been watching the Discovery show Everest, where people with terrifyingly little climbing experience (or common sense) pay vast sums of money to scale the mountain with the help of 43 sherpas and a team of yaks.

But back to the quilt.

There are one thousand and thirty-five triangles in this behemoth, which measures an acceptable 73" square. Not as big as I'd like, but still a usable size. This quilt would definitely not win any quilt shows; there are three or four (or ten) areas where the points just didn't match up, but the Quilt Police don't live near me, so I think I'll be okay.

Quilting, as always, is stalled...this time because the backing fabric I bought from Fabric.com (in my last ever purchase from them as their customer service is abominable) just doesn't seem to be very high-quality, and I would hate to ruin a quilt I love so very much with a poor-quality backing fabric. I know it will destroy my machine to do this, but I really want to use Minky on the back...is that so bad?

Have a great weekend, everyone! I hope you'll all spend it sewing. I'm spending it making room in my sewing area for my new sewing table...

Stripes & Solids--the top and back

Just when I thought I would never have the chance to photograph this lovely top and back, we had a sunny evening in Boston and Amy left work early to help me hang them on the fence in the courtyard of my building (definitely a two-person job).

This is the second in my Amish quilts series. It was inspired by a quilt in an excellent book on Amish quilts, Amish Abstractions (you can see my review of it in that link. I'm trying write enough reviews to become a member of Amazon Vine so I'll get free quilt books. So far, I've written two).

Attaching the large borders to the center square in my incredibly small sewing area was difficult, but I persevered and am just so happy with the result. All I did was cut down the middle of several yards of fabric and attach it, so the borders are 22" and the center square is 44", for a grand total of 88" square.

Constructing the back was much more frustrating than piecing the top. As I said in my earlier post about this quilt, I got a little rotary-cutter happy and cut strips from three yards of fabric for the top. Of course, you don't use that much fabric in a 44" square, so I had quite a few leftover strips from which to piece the back.

Sewing them up was a complete nightmare. There are two parts of quilting I don't like: cutting (in general) and sewing long, thin strips. I bought an Accuquilt to deal with the first issue, but the second is unavoidable. So I created a battle plan and plunged in. Twenty 1"x88" strips later, I was finished...but I never wanted to sew a strip again. When we were photographing this yesterday, Amy (unprompted) said it looked hard to sew so many thin strips together. I informed her I was still having flashbacks about it. Luckily, I had had three seasons of Vicar of Dibley to get me through. Someone tell me I'm not the only person besides my grandmother who is obsessed with that show.

I do plan to quilt this on my own machine (gasp) and am actually in the process of looking for a new sewing table right now to make the quilting process easier on myself (in general...not just for this quilt!). I don't know if quilting it myself is crazy or not. Of course, I am considering going back to Laurena's to use her Sweet Sixteen because she has (much) more table space. But it's also free to do it at my own apartment.

I think I want to quilt it with concentric circles. I was planning to do a diagonal grid, which I do enjoy, but I've seen several quilts quilted that way in blogland over the last few weeks, and I'm already starting to get a little tired of the pattern.

I'm in Philly for the weekend doing something very exciting with a special friend of mine! I can't wait to tell you all about it when I return. Happy sewing!

WIP Wednesday...with images this time!

Greetings from Ann Arbor, Michigan, where I am visiting law schools/quilt shops for the next several days! I arrived this morning, dropped my belongings off at my hotel (chucked my bag into my room), and immediately went to (ran and then sped to) what I had heard was the mecca of quilt stores: Ann Arbor Sewing Center. To give you an idea of its size and selection, the store has a 32' long wall for thread alone. AASC is about twice the size of the house I grew up in, with a room for just notions that is larger than my current apartment, though that probably doesn't say much to those of you who have been there. I actually managed to leave without breaking the $100 mark, but only because they couldn't guarantee that a sewing machine accessory I wanted would actually fit my machine. Thank God for small miracles. I'd rather buy fabric than eat, but I have to impose limits on myself once in a while (or have them imposed on me...whatever).

Before I left, I did take pictures of my Ocean Waves quilt, on which I am slowly and steadily progressing. I love this quilt, but I can only do so much at once. Each square has almost 150 triangles. It can be a bit overwhelming, and the last block I did was completely disastrous (at least in terms of my ability to match points). Some of my cut triangles must have been very misshapen. It's a feat of willpower to cut ~1,000 triangles over two nights (so much so that I just had to buy an Accuquilt so it would NEVER, EVER happen again).

The as-yet-unnamed Ocean Waves quilt is the first quilt in a series I am doing of Amish-inspired quilts. The Ocean Waves pattern was very common among the Amish from the late 1800s to early 1900s, though I'm not sure if it is anymore. I developed the "pattern" for my quilt myself, and although the blocks are slightly larger than I expected (and larger than how they usually appear in Amish quilts), they are not larger than I generally prefer. I think they're very bold and graphic, which is exactly the look I wanted to attain. The Amish almost never used whites or beiges for their background fabrics, but I felt that my fabric choices were so...hmm, in-your-face?...that they required a "blank" space for the background.

Hopefully sewing them together and matching all of those points will not be horribly traumatic. I have four blocks so far, and I only need one more full block and four half-blocks to finish the top. The blocks are ~24" across when square, but ~36" across on point (which is how they are assembled), so it will be a ~70x70 finished quilt. Not quite as big as I'd like, but you can't have everything.

I will list the fabrics again once I finish the top, but I'm posting them here now so I don't forget. The triangle/focus fabrics are: Amy Butler Solids in Periwinkle; FSDS in Grape, Red, and Olive; Moda Bella Solids in Turquoise; Kona in Cerise, Rose, and Violet; and Quilter's Linen in Orange. The center square/background fabric is Moda Bella Solids in Antique White. It is my understanding that Moda no longer produces this color, and now I must obsessively hoard the 3.5 yards that remain (I reallyreallyreally love this neutral).

Back soon with photos of my recent completed quilt top and back!