Sunday, July 31, 2011
Thursday, July 28, 2011
Monday, July 18, 2011
Saturday, July 9, 2011
It's just a lap quilt for when she has her chemotherapy treatments, so it isn't too large...maybe 50" square. But I really hope she likes it and uses it!
Thursday, July 7, 2011
I've had this quilt finished for a month and a half, though I've neither sent it to the recipient nor blogged about it (I'm even sitting on it as I write). I have, however, brought it to one BMQG meeting...and that counts for something, right? The colors are difficult to capture, but they are most accurate in the photo below.
I backed the quilt in one color, FSDS Chamois. I used KF Shot Cotton in Sprout and Sky, Moda Crossweaves in Flamingo, Bella Solids in Teal, and Kona in Violet (I think? I don't have my color card with me right now) and another shade of Kona blue-green. I think I'm careless when it comes to recording my color choices when I use Kona because I know I have the color card, but it's never near me when I need it...
All in all, I love this quilt because I love what it illustrates about quilting: the ability to make a completely personalized gift for someone you love. What could be better than that?
Friday, May 27, 2011
Saturday, May 7, 2011
Thursday, April 28, 2011
The speed thing would be an issue for you for all of about 15 minutes. I've had so many people use my machine, even children, and they get used to it very quickly. You get a feel for the pedal and can go slow, a stitch at a time, or fast, 1500 stitches per minute. I know it seems counter intuitive, but it really is easier to get smoother quilting lines the faster you go. All it takes is practice...
Even if you don't go for the Juki, still check out some of the other semi-industrial straight stitch machines - you would never look back! I really really recommend getting a machine with a knee lift. It was life-changing to me! You never ever need to lift the foot by hand which is HUGE when you are machine quilting. And the automatic thread cutter is something I can't go without now either. And I don't mean a button on the machine - it's on the foot pedal, so you tap your foot. When you are quilting (and piecing!) the more your hands can stay free, the better.
...I think the people who benefit most from Berninas are those doing beautiful heirloom sewing. People who actually use all those lovely stitches...If you think you will, then great! If not, you need to get the best quality machine you can get with the LEAST amount of stitches! For me, that is one, the straight stitch. I think a zig zag would be nice, but honestly, I have never needed to use it bad enough in the last 4 years to pull my Janome out of the garage!
Also, you are not going to want to keep the same machine forever. Our mothers did because all they did was make clothes in the 70's. I remember! They weren't making works of art like quilts. Quilts require different things than clothing...
If you want to quilt your own quilts, and they are bigger than a yard square, you NEED an amazing dedicated quilting machine. So here is my list of what you should look for, regardless of the brand. They are things that in my humble opinion are the only things you need for quilting:
Big throat space
Big flat bed
Automatic thread cutting
Easy to lower feed dogs (flick of a switch)
So there you have it, from a truly amazing quilter who has really put her machine to the test! I thought about what she said and even found a dealer in this area (Reliable Sewing Machines in Stoughton).
Sunday, April 24, 2011
The machines I test drove were at a dealer about thirty minutes away from me. The dealer sells the Bernina 350PE and 440QE, as well as the Janome 6600 and 7700. Four of the six in one place not far from home…hooray.
I brought the following things with me:
1. Four kinds of fabric I use frequently, including one type that my machine hates (KF Shot Cotton)
2. Four small quilt sandwiches (with single layers of cotton fabric and cotton batting) for testing free-motion quilting
3. One large quilt sandwich for testing how much the harp could accommodate and how the quality of FMQ was affected by having a great deal of fabric jammed into the machine. My sandwich was not an actual quilt top since it was being sacrificed to the quilting gods, but I did use a thick broadcloth fabric on one side and wool on the other to approximate the thickness of a pieced top
Step 1: straight stitching/tour of basic functions
Bernina 350 PE. I eliminated this almost immediately because the machine seemed too basic for me (although I’m sure it is a very good machine). This is a great machine for someone who can afford to spend quite a bit of money to learn quilting, but it was obvious that its narrow range of functions and capabilities meant I couldn’t take my sewing much further than the level I’m on now. Next.
Bernina 440QE. I did a few rows of straight stitching with the saleswoman sitting less than an inch from me, which was nerve-racking. Does anyone else feel like quilt shop employees are always judging you? Then don’t ever sew in front of them. Anyway, I used the patchwork foot and did see that amazing Bernina stitch quality that people rave about right away. The 440’s stitches were perfect. The machine was remarkably quiet and soothing. The harp space didn’t seem quite as small when I was piecing on it, and I liked the attached extension table.
Janome 6600. This machine looks like you expect a solid sewing machine to look: parts poking out everywhere, huge stitch guide on top, large throat, thick foundation. It was a nice machine and I got to try it out for approximately thirty seconds before the saleslady pulled me over to the Horizon.
Janome 7700. As I said in my earlier post, I wasn’t excited about the Horizon when I began looking at machines. If it had been list price, I would not have even tried it. But when I got there, the machine drew me like a moth to a flame. It was animal magnetism. I tried some basic stitches with the ¼” foot (yeah, the original one that everyone hates, and it did skew to the left, for the record), and then stitched with the dual-feed function turned on. If you were drowning and you happened to be holding onto the end of a quilted tablerunner that was under the Janome Horizon dual-feed foot, it would save your life. There's some horsepower behind that.
Step 2: free-motion/advanced functions
Janome 7700. I asked the lady at the shop to put on the FMQ foot so I could try it out. She put on a standard, clear plastic foot, and I grabbed one of my quilt sandwiches and sat down. The top thread broke after five seconds of quilting and the stitches were barely distinguishable (see image above).
The fabric was difficult to manipulate, and the thread continued breaking…four or five times in a few minutes’ worth of quilting. One of the other saleswomen actually heard it snap from several feet away. The foot was bouncing up and down so much that I could barely see the fabric and it made me dizzy. I decided to open the manual and make sure it was the right foot. Of course, it wasn’t. The 7700 has a special adjustable, two-spring foot: a foot that could not be located anywhere in the shop. Here's another shot of how awful it looked (and yeah, I had to write on the fabric to keep track of the samples):
Bernina 440QE. It took the woman a good ten or fifteen minutes to figure out how to put the BSR foot on. I sat patiently…this was my moment! And the BSR foot, as has been said many times before, did not disappoint. Damn. That thing was amazing. My stitches looked professional [image]. Happy joy. But as I moved the large quilt sandwich around, I realized that I was quite uncomfortable. My worst fears had been realized: the small harp space was an insurmountable issue. I was not bonding with this machine.
Janome 6600. When I sat down to try FMQ on this machine, I also spent more time playing around with its other features. There is something so nice about using this machine. It’s very easy to use, the screen selections are more intuitive than other computerized machines, the stitch quality is great, etc. etc. The saleswoman (one of those people who has five or six different machines at home for different purposes) said she had one and she “would NEVER get rid of it,” which I highly doubted after seeing her stroking the Horizon gently when I wasn’t looking. So anyway, I had a hard time achieving proper tension when FMQ on this machine, but I’m sure I could have worked it out…and even with the poor tension on the back, it looked great from the front. I felt so comfortable working on the 6600:
Janome 7700, round two. I unearthed a proper foot for sale at the store, so I forced them to open it and stick it on the machine. I achieved MUCH, MUCH better results with the two-spring foot. The tension was off no matter what I did, though. The machine repairman came out and talked to me about it at length, trying to convince me that it was easily remedied. I felt concerned about it. I know that tension is an issue with every machine, but I still felt like such an expensive machine should be able to achieve proper tension after fifteen adjustments.
So anyway, my dealership ended up offering me a great deal on the Horizon. I decided to go home and think about it for a few days. I had made various people promise that if they knew I came home with a sewing machine on the first day I looked, they would force me to return it. I had discussed the issues people were reporting with the Horizon to the ladies at the dealership, and I was then subjected to numerous lectures that started with phrases like “You know, I just don’t trust the internet. Those people are probably lying, you know.” In the Janome 7700 Yahoo Group? “You just shouldn’t listen to the people on the internet.” Okay.